Saturday, 21 February 2015

Fifty Shades of Controversy

WARNING - Do not read unless you have seen the film, read the book, or do not mind having certain plot points spoiled for you.

This Valentines day has seen the release of one of the most talked about franchises in the past few years. What started as a rather crude Twilight fan fiction turned into three novels, a range of sex toys and now a Hollywood movie. But the sheer number of highly negative reviews for the film and the comments they made about the movie sparked my interest.



For those of you who have been living under a rock for these past few years, the books tell the story of the young student Anastasia Steele, who goes to interview Christian Grey, a wealthy businessman, for the university paper. From this brief encounter they end up becoming infatuated with each other. They fall in love, get married, have kids and live happily ever after.  

Christian, however, has a dark past. The emotions from which, he 'manages' through his sexual encounters. He is a Dominant and he takes women on to be his Submissive's, asking them to sign extensive contracts within which are a series of rules and guidelines for the relationship. Anastasia gets whisked up by his allure and begins to experiment with the idea of this relationship and thus the story begins.  

The concept didn't exactly intrigue me when I first heard about it a few years ago when the books became available. However I was astounded by the language used to describe the film, when reviews started to hit just before the films global release. A number of critics felt so strongly about the film that they labelled it as:


"more appalling than appealing. It’s domestic violence dressed up as erotica." Today Show Australia

"set in the BDSM world that dangerously dramatizes sexual violence and glamorizes domestic abuse." Hollywoodchicago.com


Unlike some of you who may be reading this, I have not read the books. To be quite honest I have no desire to read them, as their content lies a bit outside of my interests (if you know what I mean). But after reading those reviews and seen as I had a week off and a few hours to kill, I decided to go see the film. What I am about to say does not in any way comment on the events which take place in the book. From what I have read and heard from other people, the film does a good job of toning down or removing some of the cruder elements and therefore I am in no place to comment on them. I am merely expressing my opinions on the film and its content only.

As far as films go I thought Fifty shade of Grey was fairly standard. Boy meets girl, boy and girl fall in love, a few scenes showing intimacy and a growing connection between the two, followed by some drama surrounding a taboo area, fall out and then a cliff hanger to make sure you come back to see the sequel. The overall plot itself was nothing original. The finer details of BDSM within the movie are something I haven't seen explored on the big screen much and herein lies the controversy.

I'm going to go right out there and say that I thought the movie was tame. There was nothing really in there that shocked me in any way and I can easily say that I have seen much worse in films before that have not had anywhere near the levels of controversy that this has. For example, The Killer Inside Me is a harrowing tale of domestic violence which tells the story of an American deputy sherif and his sociopathic tendencies. There was some level of controversy about this film but nothing on the scale that Fifty Shades has received. There are many films out there that show relationships which turn violent and yet this seems to be accepted as a tolerable topic within films today. That does not mean that these films are glorifying or attempting to convince people that these things are any less wrong than the obviously are. But writers and film makers do not shy away from these topics nowadays when they are considering what might be too much for the films audience. Fifty Shades of Grey is different however, because it sets out to be overtly erotic, a task I feel it managed to convey quite well. However the idea that the film 'glamorises domestic abuse' and 'dresses violence up as erotica' are completely unfounded and potentially damaging to the film. Also, herein lies my quarrel, I feel that these exaggerated statements could prove damaging to the public too.

Everything, I repeat, EVERYTHING that happens in the film is fully consensual and there are strict rules and boundaries. These are set out and made perfectly clear before anything happens between the two lead characters and are stuck to at all times. I cannot help but feel that for viewers of a lesser understanding of BDSM, to be told that these events are acts of domestic abuse and sexual violence, is potentially incredibly damaging. A number of people in society explore these areas within a safe environment and these acts are capable of enhancing or even helping to create strong, loving relationships. People should be free (within reason) to carry out their fantasies with fully consensual partners, without fear of being labelled as being an abuser or being sexually violent.  I can see that the primitive and hyperbolic views of some of these critics could harbour the potential to lead people to fear trying things that may end up being immensely positive experiences.

I cannot abide people of influence thrusting their opinions onto other people as facts when they are merely remarks made out of ignorance or differing personal preferences.

Another point of contention many critics have had with the film, is some of the language used which suggests that Grey wants to be overly controlling of Anna. Many critics have made some serious blanket statements claiming that the film was suggesting women should relinquish control to men and that they cannot be happy when they have to make their own decisions.

Just take a step back here and think about what the film is actually saying. The film is saying that Christian enjoys sex where he is in control, where women are trying to please him. Yes this may be sycophantic and some people may find this aspect of his personality overbearing, but he does not in any way suggest that all women should agree to this. He merely offers this to Anna if she is interested. You could argue that him only offering this to her and no other attributes of a relationship (in a 'it's this or nothing' kind of way) could be classed as emotional blackmail. But if she doesn't want what he is offering, she is more than capable of walking away or negotiating the finer details of the contract with him, which indeed she does.

I was absolutely dumbfounded when I read that critics were using this as an argument against the film,  as events that take place in these sorts of media are meant within the context of the situation in front of you. If a films protagonist decides he wants to go to a restaurant for sushi then this does not mean that the film is suggesting that everyone must eat sushi and nothing else for the rest of their lives. It is merely suggesting that this character enjoys sushi and that at that time he decided he wanted some. I'm sure the worlds fish population are a tad unenthusiastic about this decision, but I don't see why anyone else should feel they have any right to criticise his culinary choices.

There is one scene in the film where the level of acceptable violence within a BDSM relationship was tested and in my opinion, definitely pushed beyond the limits of what is acceptable. However at this point, the film made a point of highlighting that this was in no means acceptable. It was too far and there were considerable repercussions for Grey's actions within this sequence. Yes it was an uncomfortable scene to watch but it was in no way glamorised or played out to be erotic. I was impressed with how this part of the film was handled and how well it was acted by the lead characters and thought that it was one of the highlights of the film.

A good dramatic story has to have an event or a moment where something striking or climactic actually takes place. Or else films would be bound by the constraints of normality. They would lose that je ne sais quoi, that films and literature have. That ability to take us outside of our reality and show us a narrative we may never experience ourselves.

I can't help but worry that dark times are ahead if writers and film makers have to live in fear of being chastised for delving into these controversial topics.

Friday, 8 June 2012

Pondering Prometheus

UPDATE: comingsoon.net have just released an interesting group of photos showing the 'synthetic' engineers in more detail, some information from Scott himself which proves some of my predictions to be correct and a photo from a scene cut from the movie which is quite intriguing, Enjoy!:

http://www.comingsoon.net/news/movienews.php?id=91563

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So I went to see Prometheus recently and I do have to say that I very much enjoyed it. It's a deep, philosophical look into the ideas of creation and religion. But most of all it's a journey further into the universe Ridley Scott created over 30 years ago.

If you know nothing at all about this movie then here is a trailer for you:


Many people however have not been as impressed by the film as I was. They feel it has not held up to the promises made by Scott prior to its release. Scott told us quite clearly that this film was set in the universe within which the original Alien series was set, but it would not be as closely linked to the film for it to be considered to be a prequel in the way most prequels are.

I think this movie is everything Scott suggested it to be, and with a little bit of gap filling, it is quite clearly a whole lot more. It explains events leading up to the alien films and opens up a mass of new areas within which we can speculate where they plan to develop the universe in the future. This excites me very much.

I intend, in this post, to attempt to create a full 'potential' explanation for the film and will outline a few ways in which plot points, considered to be plot holes or events left unexplained, can be pieced together to form a logical explanation.

It is important to remember that this movie was written by Damon Lindelof, one of the minds behind the many mind boggling seasons of Lost. Therefore it is not unforeseeable that this movie may well be as mind boggling as Lost was at times.

Ok, as I previously stated some points I will discuss may only be 'potential' explanations for this film (I am in no way suggesting that this is 100% definitely correct as I have at no point conversed with Scott and Lindelof to check this all out). This explanation seems the most logical to me, but feel free to make your own conclusions as I may be entirely wrong.

This will quite likely be a lengthy post so it may be a good idea to grab yourself a big mug of tea/coffee/beer/wine and a pack of biscuits/crisps if you wish to continue...


Ok, are you settled and ready? Lets begin...

WARNING! SERIOUS SPOILERS LIE AHEAD! DO NOT CONTINUE READING IF YOU HAVE NOT SEEN PROMETHEUS AND THE ORIGINAL ALIEN FILMS!

You have been warned!


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Sorry about the lack of decent pictures, as its only just been released these were the best ones I could find.


Explaining Engineers

The first spanner I'm going to throw into the works is that I believe that we have observed more than one type of Engineer within this film. The Engineer we see in the opening scene, takes off his cloak to reveal himself to look fairly similar to us, completely skin.

'Original' Engineer
Whereas the other Engineers observed throughout the rest of the film are somewhat mechanical or synthetic, their appearance is less pristine and they appear to have a number of tubes or pipes embedded underneath their skin. I believe that these are the Engineers equivalent of our robots (like David). I would suggest that, like us, the Engineers began to experiment with the creation of life. Originally developing synthetic or robotic versions of themselves before developing a method for the true creation of life. However these 'synthetic' Engineer's are significantly more advanced than our robots. They are both organic and synthetic, and have their own DNA and potentially their own method for reproduction.

'Synthetic' Engineer
At the start of the film we see an 'Original' Engineer drinking some kind of metallic liquid, causing him to disintegrate and fall over the edge of a massive waterfall. We then see sections of his DNA being ripped apart and then new sections of DNA being formed from the components within the water. 

DNA reforming within the water.
What I would suggest we are seeing here is an event set millions of years ago on Earth. The Engineers, having developed a method for the true creation of life, have travelled to a distant planet (Earth) and are beginning the process by way of a ritualistic sacrifice. This method requires the sacrifice of one of the beings to supply the planet with the building blocks (DNA) from which life can evolve. The ship (as seen in the image below), on which they have travelled to the planet, then leaves the planet behind to give the process time to take hold and for new life forms to develop.

The 'Original' Engineer's Spaceship.
The 'original' Engineer's then, over thousands of years, return at various points to Earth to check up on us through our development and the development of the life which they created through the sacrifice of one of their own. During these times, they meet with small groups of ancient civilisations and communicate with them, informing them where they came from thus leading to the series of cave paintings being drawn over thousands of years.

Synthetic Rebellion

During this time, the 'synthetic' Engineer's rebel against their creators and break away from them to make it on their own as a species. This may be due to a large number of reasons however I think this may be down to some sort of jealousy over us taking their place. This could be backed up by the fact that later on in the film David turns to Shaw and suggests that all children want their parents to die.

With this in mind the 'synthetic' Engineer's travel to a different planet (The one on which the events in the film take place) and decide to develop a method to create their own life. They attempted to develop this based on the method used by their creators. They develop a substance similar to the metallic liquid consumed by the 'original' Engineer during the films opening sequence, however this substance fails to have the desired effect and does not create life, but mutates the life it comes into contact with into new, violent and destructive species based on the DNA of the organism with which the substance came into contact with.

This links in quite nicely with the myth associated with Prometheus in that Prometheus tried to steal fire from the gods, but instead ended up being punished by the gods and burning mankind with the fire he stole. The 'synthetic' engineers attempted to steal the process of creating life from their creators but instead, accidentally create something way more destructive.

Now here's where it gets a tad complex. As I already said above, the substance they created mutates the DNA of the organism it comes into contact with and creates something based on the sequences and types of DNA it comes into contact with. Therefore as the DNA of the 'synthetic' Engineer's is identical to our DNA (which is stated in the film), it is not illogical to assume that it would have identical effects on the 'synthetic' Engineer's as it does on us. So this would lead us to believe that the Pre-Alien or devolved Alien we see at the end of the film is not the first of its kind. But another occurrence of a mutated species which has come about due to the destructive substance in the past. (Feel free to read that bit again)

This would give us an explanation of why we saw a sculpture of our devolved Alien on the wall in the room with the big head and the vases of the destructive substance.

Pre-Alien sculpture from the 'tomb'
And would also explain how a Pre-Alien would have been able to evolve into the Xenomorph we know and love, in time to be implanted within an Engineer's (Space Jockey's) chest located on the ship discovered in the original Alien film. And then have time to fully 'fossilise' which is what is stated during the original Alien film. As there are only 30 years between the events of Prometheus and the first Alien film (definitely not enough time for fossilisation to occur) this would not be enough time for all this to happen if the Alien we see at the end of the movie is the first one.

Space Jockey from Alien
The 'synthetic' Engineer's become enraged due to the fact that they have not been able to create life like their creators and decide that they will use their destructive creation to destroy the human race. But before they are able to, something goes horribly wrong and their creation is leaked out into their population and a large number of their kind become impregnated with Pre-Aliens. This would explain the large number of Engineers piled up outside that door with gaping holes in their chests. The species remains quiet for thousands of years with at least one of their kind in hyper-sleep on the planet inside their ship.

Fast Forward to Now

Over these thousands of years we fully develop, create effective space travel and begin our expedition through space. We also discover the cave paintings drawn by the many civilisations before us and using our star-mapping technology, discover the system which they showed us and then mistake this for an invitation to come seek them out.

We then travel to the planet, enter the pyramid and open up the chamber disturbing the destructive substance, releasing it into the room. Again, as previously stated, the substance mutates the DNA of the organism it comes into contact with and the first organism it contacts are the 'earth worms'. These mutate into a completely new species which is a snake like creature which kills people by inserting themselves into peoples throats (not exactly a pleasant way to die really), goodbye Millburn.

Weird, mutated worm thing.
During this process, Fifield's helmet becomes sprayed with acid from the mutated worms blood and he falls face first into the destructive substance, goodbye Fifield.

David has collected a sample of the black goo in one of the vases and contaminates Dr. Holloway's drink with it. However, as it is in a small quantity it does not have an immediate effect but it slowly begins to irreversibly mutate his cells from the inside out.

Here again lies a complex connection between science fact and science fiction. In reality we have millions of micro-organisms living inside us at all times and have done ever since we were born. Each of these micro-organisms also has their own DNA and could also, quite easily be mutated by this substance. I propose that this is initially what happens to Dr. Holloway. During the first few hours of infection the micro-organisms inside his body begin to mutate and this is what we see crawling out of his eyeball. The substance has already taken hold of him and mutated a large number of his cells (including his sperm cells) by this time anyway, but we see the first manifestations of his contamination via the mutated organisms now growing inside him.

By this time, Dr. Holloway has impregnated Elizabeth Shaw and the giant face hugger is starting to grow inside her. Dr. Holloway's infection then becomes too severe and Meredith Vickers acquaints him with a flamethrower, goodbye Dr. Holloway.

All Hell Breaks Loose

Shaw then goes through the whole 'birthing' ordeal, which I think was more horrific than the chest-bursting scene from the original alien film. The giant face hugger then begins to grow inside the lab.

We then re-encounter Fifield. Fifield was killed by the acid burning through his suit, however the micro-organisms living inside him were still alive to be mutated. The micro-organisms work as a hive-mind not unlike the Rabies virus and the Ophiocordyceps fungus to enable them to survive, taking control of his body and causing him to go on a mad killing spree, killing a large percentage of the crew of the Prometheus.

By this point, David has discovered the 'synthetic' Engineer in hyper-sleep and wakes him up with Weyland and Shaw present. The newly awakened synthetic 'Engineer' becomes further enraged due to the fact that we have been able to create intelligent life when they weren't able to and proceeds to kill pretty much everyone else. He then sets about continuing the mission to wipe out the Human race and sets a course for Earth. Shaw convinces the captain to fly the Prometheus into the 'synthetic' Engineer's ship (which I may add is horse-shoe in shape, completely different to the 'original' Engineer's ship seen at the beginning of the film, further proof that they are different species) causing it to fall from the sky.

Vickers and Shaw run for their lives (in the most illogical of directions.. RUN TO THE SIDE!!!) and Shaw narrowly escapes with her life. She returns to the life-boat/escape-pod to find that the giant face hugger she gave birth to is now looking for a face to hug. The 'synthetic' Engineer hunts her down but ends up getting all cuddly with the giant face hugger and becomes impregnated with a Pre-Alien (but NOT the first one!)

Shaw and David leave the planet on board one of the 'synthetic' engineers spaceships in search of answers. Little do they know that the Engineer's they are in search of are not their true creators.

We then see the devolved Alien being born.

Awww, isn't he cute!



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Ok, so that is the end of my wild speculations. These are based on some science facts and some information gathered from the film and a few online forums and such. But let me know what you think, if you have any alternative suggestions feel free to post them! I'm open to input from anyone as it is possible that any number of my theories may be incorrect.

Friday, 23 March 2012

The Hunger Games

I've just got back from watching The Hunger Games and thought I would let you guys know what I thought about it. So here goes.. Warning: Spoilers Ahead


The Hunger Games book is a deeply unsettling, emotional roller coaster, in which innocent teenagers are murdered for the entertainment of a communistic society. It is shocking, upsetting and an absolute thrill ride and I would greatly recommend it to everyone.


The Hunger Games movie is about a bunch of teenagers who get shoved in an arena and are forced to fight to the death.


Can you tell the difference?


I couldn't help but feel that a huge portion of the films emotion was removed to allow them to slip into the 12A (PG-13) bracket they so desperately wanted. And to me this left the whole experience feeling quite hollow. This is indeed a terrifying ordeal for the characters and 90% of the time I couldn't feel this. The other 22 contestants in the games were slightly one dimensional and therefore felt a little like cannon fodder.


The other thing I felt was severely lacking was any kind of music. This film could have done with some real emotional backing to help raise the emotional levels of the audience however it remained absent nearly throughout the entire film and I found this a little odd.


But it is still a good film. The acting is top notch and the script is relatively cringe free. the storyline is near enough an exact replica of that which takes place in the books and this is this movies strongest feature. The decidedly ominous clip of the beginning of revolution in district 11 began to stir interest in my mind as to how they will handle the events of the further movies. But for that we will have to wait and see.


So for people who have not read the book, this movie is an insight into a much more complex story line than that which is dealt with in the 2.5 hours of screen time. This film is merely an introduction into what will happen next. And boy is it about to get interesting. And to me that is reason enough to go watch this film.


It's not a masterpiece, but it easily knocks the Twilight series out of the park. And with a few alterations, 'The Hunger Games Trilogy' could prove to be the new Harry Potter.


7/10

Sunday, 18 March 2012

Prometheus Reigns

Finally, after a long LONG wait since the teaser trailer dropped in December, we have an official full trailer for Ridley Scotts 'Prometheus' and man does it deliver!


I can't help feeling in some ways that a lot of this is recycled footage from the multitude of teasers and teaser teasers we've been offered over the past few months, but what this trailer really adds to the mix is a bit of background as to what the story is about and what Prometheus actually is. It also gave us a whole load of questions:
Any ideas what is going on with this guy?
What is this pictogram all about?
Why does this rock look like a giant boob?
So basically, Prometheus is a spaceship (which looks a bit like a killer version of Joss Whedon's Serenity) in which a number of fellow Earthians travel to a distant planet in search of something pretty awesome. But instead find something pretty awful.. not so much with the original plot lines here.

However, where prometheus promises to deliver, is with the massive amount of mythology Scott has developed behind the scenes within which this sic-fi epic is set. This is a whole new take on the origins of mankind's time on earth and this is whats getting me so excited.

Scott has an innate ability to develop vast universes within which he sets his mind blowing story lines (Blade Runner is a prime example of this) and this move looks to be his greatest expansion on any one of these universes to date. Taking place as a prequel to the events of Alien (one of the biggest movie franchises of all time), Scott is not only promising more backstory, but a whole archive of knowledge which will shed light on everything we have seen so far.

This movie could reshape the sic-fi horror genre completely and thats something to get truly excited about.

Go see this one in IMAX 3D guys, I know I will be.

Over and out.


 

Thursday, 12 January 2012

A Mixed Bag

So the world of movie trailers has somewhat slowed down over the past week or two. Not a whole lot in the way of interesting stuff has be revealed to us other than a couple of interesting documentaries an the odd sundance selection. So lets begin with the best of those.

RE:Generation

RE:Generation is a documentary which set out to blend the boundaries of classic music genres such as Rock and Jazz with modern day hip-hop/electronic/dubstep DJs. Modern day DJs including Skrillex, Pretty Lights & Mark Ronson work with the likes of Leann Rimes and The Doors to redefine the history of music. Check out the trailer below.


I'm very much looking forward to getting my hands on a copy of this documentary and that's not just because I'm a big fan of Skrillex. I've had the chance to listen to a couple of the tracks produced by these unusual collaborations and I've been completely blown away by the final products. What do you guys think?

Perfect Sense

And now we go for the the Sundance selection. Ewan McGregor must be exceptionally busy at the moment. He seems to have films dropping here there and everywhere. With this, Salmon Fishing in the Yemen, Haywire, Jack the Giant Killer & Impossible (See Below) all coming out this year he must have a diary full of Premiere dates.


As you can see from the trailer this film seems to be blend together the idea of a newly formed romance in the period of a mass epidemic of some new virus. The concept seems quite inventive if a tad unrealistic but it looks very interesting. Its one to keep your eye out for.

Impossible


Now, I must apologise about this but I had to include this to make the post worth writing. This is another film starring Obi Wan.. I mean Ewan McGregor. And there is yet to be released an English trailer. This is a Spanish trailer released about a week ago and I have looked high and low for a trailer in English. So, make your choice now whether you want to watch in Spanish or wait until an English trailer is released. But trust me, this is a brilliant teaser regardless of the language its in.


So is wasn't that long ago that Clint Eastwood dropped us the disappointing Hereafter which kinda dealt with the boxing day tsunami very briefly. But I believe this could be much much better. I enjoy a good disaster movie, however I think this could hit home a bit more than the likes of 2012 or The Day After Tomorrow. I clearly remember seeing the news footage on television when I was younger of the aftermath of the tsunami and being quite upset due to some of the disturbing footage. Juan Bayona is a relatively new director and his major release so far was the rather unsettling Spanish film we know as The Orphanage. And if that is anything to go by this film will be rather good. Something else for you to keep an eye out for, this could be the tear jerker of the year.

So that is all for the moment. I may be posting again in the next week or so with my eyes set on a whole new angle. Just to keep you on your toes.

Thanks for reading.

Saturday, 31 December 2011

Best & Worst of 2011

So here begins the countdown of the best and worst trailers of 2011! A mixture of awe inspiring finales and comedic hit and misses have made this year a highly varied year for movie trailers. But just like any other year in this scene, theres been ups and downs. So lets analyse these scrupulously!


Worst

So that we can end 2011 on a high lets get the worst out of the way first.

5. Immortals

Just slipping into the bottom five is the action epic made by the people who brought us 300. Immortals tell the story of Theseus, a mortal man chosen by Zeus to lead the war against the evil King Hyperion.


Some people will not agree with me putting this on my list of the 5 worst trailers of the year. But I am completely set on my decision. This movie looks stupid. The trailer is lacking in emotion, or any kind of depth and goes for an all out assault on the senses instead of actually telling you what the film is about.

And apparently it didn't instil a whole load of interest in the film as even though it had a firm opening weekend it pretty much dropped off the radar after its first week once everyone had heard how naff it was.

4. Abduction


Abduction tells the story of a werewolf.. I mean teenage guy, who's life isn't what it seems to be. He goes on the run, is suddenly the worlds greatest free runner and has the ability to dodge bullets.




Even if the only reason I put this on the list is because I can't take Taylor Lautner seriously, then that surely is a perfectly valid reason. However there are many other reasons. His character comes across as whiney and annoying in the first half and then superman in the second. There surely needs to be some progression or some hint of character development. Pupil don't just swap out their personalities at will. This trailer gave me no desire to watch the movie at all and after the American reviews settled down to a meagre 25/100 then I will be giving this a miss and I advise you to do the same.


3. Cars 2


The first Cars film was probably my least favourite pixar movie so the idea of a sequel didn't excite me much at all. However when I heard that the sequel would be a spoof of James Bond I had even less enthusiasm about the project. And then came the trailer.



Mater is not exactly the most inspiring or interesting of characters and was easily the worst character in the first film. the thought of watching a movie pretty much based around him attempting to save Lightning and a whole bunch of other people seems ridiculous to me. Come on Pixar, you can do better than this!


2. Jack & Jill



Adam Sandler and Adam Sandler star as Jack & Jill in this ludicrous 'comedy' about a scientifically impossible set of twins who do not get along.





Is there anybody out there who could quite happily, hand on heart, admit that they think this movie looks good? If so then please feel free to let me know in the comments section below and I will post an embarrassing picture of me in my next blog post.


1. Big Mommas House


So the film which tops my list of worst trailers of the year is not the first, but the second sequel to the 2000 comedy flop, Big Momma's House. The story lines have not got any better, in fact they've probably got a hell of a lot worse. 'Big Momma' and his step son have to go under cover (quite literally) to protect themselves after the step son witnesses a murder. Enjoy.




The reviews say it all.




5 Other Awful Trailers of 2011:






The Best

5. Super 8


JJ Abrams is renowned for creating huge amounts of hype about his movies before they are released. This teaser was one of the best of the year and possibly one of the best of all time. It told you absolutely nothing at all about what the film was about, but left us with so many questions we desperately wanted answers for. Was it a prequel to Cloverfield? Or was it something completely unrelated?





Genius. This guy is an absolute genius. Everything he has played a part in making has been outstanding and this film was by no means a disappointment. 

4. Battle Los Angeles


Firstly, it is not intentional that the pictures for this trailer and the previous trailer are so similar.


Battle Los Angeles was the big alien invasion movie of the year along side Skyline (a move I'm sure I will talk about at some point in some future post about films that looked awesome but then majorly sucked). Set in Los Angeles, a small military unit are sent into an area currently controlled by the alien threat in an attempt to take back the city.




This trailer is phenomenal. The sense of loss is phenomenal and the music is haunting. This is one of those bits of footage that will stick in your head for a while.


3. Tree of Life


A film for you artsy people out there. The Tree of Life comes in at number three of my top five trailers of the year.


This trailer is visually stunning. The cinematography is top notch and the acting is perfect. The trailer gives away precisely none of the story whatsoever but really makes you want to find out more. This is movie trailer gold.

2. The Muppets


The way this film was marketed was absolutely brilliant. This first trailer for the muppets allowed you to get sucked into the idea of the movie and the big reveal was priceless.


 


"Whoa, Whoa, Whoa, Wait, Wait, Wait, STOP! Are there Muppets in this movie?"


This trailer is epic. It was aimed perfectly as there have been a long line of Muppet movies which haven't been all that great. To re-introduce them to an audience in this way was absolutely genius and also very humorous. This trailer is highly deserving of its place in the top five trailers of 2011. 

1. Harry Potter & The Deathly Hallows


And so my countdown is done. The best trailer of 2011 is the trailer for Harry Potter & the Deathly Hallows part 1 & 2. You don't need me to explain what this movie is about...surely?




When the line 'The Finale of the Worldwide Phenomenon' appears, I get goosebumps every time. Every.. Single.. Time. This trailer is filled with epic shot after epic shot and the soundtrack offers some mind boggling highs and lows. This trailer is enough to bring those die hard fans to tears. The end of an era, the cornerstone of a generation, The best trailer of the year.

5 Other Great Trailers of 2011:


I hope you all enjoyed reading this post.

Wishing you all a Happy New Year, heres to another great year in the world of movies and movie trailers.

Saturday, 24 December 2011

And Action!

There have been a lot of 'action film' trailers released recently. Some for films I would highly recommend to you, some not so much.

These trailers, although they are all for films a similar genre, have very different connotations. Whether its a sequel to a massive blockbuster film starring every single beefy man you can think of with The Expendables 2, a low budget independent movie which snuck its way in under the radar with Chronicle, the first part to an epic futuristic sic-fi at ion series with The Hunger Games or a nonsensical follow up to a Stephen Sommers 2009 summer flop, with G.I. Joe: Retaliation.

G.I. Joe: Retaliation

Back in 2009 a very large budget movie was released staring a number of pretty darn good actors. Joseph Gordan-Levitt, Dennis Quaid, Channing Tatum & Christopher Eccleston were all on that list. However, despite its large number of top notch A-listers, it managed to flop, quite considerably. With a Metacritic score of 32/100, G.I. Joe: The Rise of Cobra was a complete let down.

Flash forward to 2011, now arrives a trailer for the sequel. A SEQUEL!? To one of the worst movies of 2009?! Staring Bruce Willis?! And Dwayne 'The Rock' Johnson.. Well, any film staring Dwayne 'The Rock' Johnson has to be awesome right..?


So the trailer does a good job of explaining a whole load of nothing. Yeah, so its got a whole load of big money action shots, but whats happened to Channing Tatum? Was he not the main character in the first film?

Feel free to splash out and go see this movie if you so choose. But I will steer clear of this one.

The Hunger Games

I have only just read this book series on my Kindle and boy was it breathtaking. One of the most engrossing story lines I have read in a very long time. The premise is fairly simple and somewhat unoriginal, in fact the author Suzanne Collins had a few issues with critics claiming it was a direct ripoff of Battle Royale, but the way the story progresses throughout the series, is on a much more epic scale than that of any other story of similar nature.



This trailer is very effective. It sells the story to people who haven't read the books but doesn't show too much for it to ruin the entire story. And for people who have read the book it does nothing but whet the appetite for what looks to be an incredible trilogy of movies.

Feel free to post your opinions below.

Chronicle

This gem appeared out of nowhere!


Wow.. That is all.

The Expendables 2

Fresh off the back of the success of the first movie in storms The Expendables 2.


I have to admit that I have not had the chance to watch the first one yet. So I will leave this one up to you guys to make your own decisions. Watching this trailer makes me want to see the first one, so that must be a good thing.

Best of the Rest

There are a lot of other trailers for action films coming out soon. So many that I'm not going to cover them all in detail.

  • Liam Neeson stars in the action adventure film The Grey, which looks a little like 'Alive' on steroids.
  • Marvels superheros team up to form The Avengers. Filmed by Joss Whedon, this could be even better than Iron Man, Thor and The Hulk put together!
  • The trailer is finally here for Men In Black III, set kind of as a semi-prequel lets hope this is an improvement on the second one.
  • Disney try to make a film combining Avatar, Star Wars & Prince of Persia and came up with John Carter. A Sci-fi epic based on a book series written in the early 1900s.
I hope you have enjoyed reading and watching. My next post should be landing at some point next week and will look at the best and worst of 2011.

Have a great Christmas.